Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
Classical hunting fox, Equestrian and Beautiful Horses, 08.

ID: 45981

unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 08.
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unknow artist Classical hunting fox, Equestrian and Beautiful Horses, 08.


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unknow artist

  Related Paintings of unknow artist :. | European city landscape, street landsacpe, construction, frontstore, building and architecture. 337 | afternoon dress of navy and white striped surah with silk fringe and lingerie flounces, created by drecoll | litet finare noje | Still life of Grapes and apples on pewter plates,figs,melons and a wine glass | Archangel Raphael |
Related Artists:
Adrian Scott Stokes
RA (1854-1935) was an English landscape painter. Born in Southport, Lancashire, he became a cotton broker in Liverpool, where his artistic talent was noticed by John Herbert RA, who advised him to submit his drawings to the Royal Academy. He entered the Royal Academy Schools in 1872 and exhibited at the Academy from 1876. In that year went to France where he lived for 10 years, settling back in England in 1886, at Carbis Bay and joining the artists' colony at St Ives. Adrian Stokes was a landscape painter, concerned most with atmospheric effects, and later with decorative landscapes. He was the author of 'Landscape Painting' (1925). He became ARA in 1909 and RA in 1919, won medals at the Paris Exhibition and Chicago World Fair (1889), became first President of the St Ives Society of Arts (1890) and Vice President of the Royal Watercolour Society (1932). He married Marianne Preindlesberger of Graz, Austria, in 1884, while living in France. She became a well known artist under her married name of Marianne Stokes. An obituary of Adrian Stokes was published in The Times Monday 2 December 1935
LONGHI, Pietro
Italian Rococo Era Painter, ca.1702-1785 Painter and draughtsman. His father, Alessandro Falca, encouraged his natural talent for drawing, and he studied under Antonio Balestra for 'several years', according to his son, Alessandro Longhi. Balestra probably took Pietro to Bologna and recommended him to Giuseppe Maria Crespi. No documents exist on Longhi until 1732, the year he married, and some doubt has been expressed about his study with Crespi. There is no trace of Crespi's influence in Longhi's altarpiece for the parish church of S Pellegrino in Bologna, St Pellegrino Condemned to Death, installed in 1732; Crespi's style is an intimate one, however, and would have been inappropriate for such a large altarpiece. One of Longhi's first independent works, the St Pellegrino altarpiece recalls his Venetian origins and training in its broken brushwork and colour glazes. In another early work, the Adoration of the Magi (Venice, Scuola Grande S Giovanni Evangelista), documented in 1733 as at S Maria Materdomini, Venice, the subject-matter lends itself to a more domestic treatment, and Crespi's influence is evident. Both these works contain passages anticipating Longhi's subsequent development as a genre painter; in each picture a boy or young man, perhaps a self-portrait, gazes out at the spectator, unconcerned with events in the painting.
Alonso Vazquez
Spanish ?-1608 was a Spanish sculptor and painter of the Renaissance period. Vazquez was born in Ronda, and learned painting in the school of Arfian at Seville. He passed through the usual apprenticeship of painting "sargas" and at length painted frescoes and oil-pictures. For the Cathedral and the convents of St. Francis and St. Paul, he painted a variety of works, no longer extant. He painted a series of canvases on the life of St. Raymond, for the cloister of the friars of the order of Mercy. Vazquez was one of the artists chosen by the city of Seville to paint the great catafalque erected in the Cathedral, at the time of public mourning for the death of Philip II. He died either in Seville or in Mexico,






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